Charreria is Mexico’s most traditional equestrian sport, and was dominated by males for many years. However, the presence of skilled female equestrians performing dangerous and synchronized exercises while riding sidesaddle led to the creation of escaramuzas (the Spanish word for scuffle) charras. These women train tirelessly for the chance to show off their equestrian choreography.

Escaramuzas is a “photo-movie” produced by Leslie Mazoch of her black & white stills and ambient audio, which includes a beautiful poem in Spanish (with English sub-titles). It could have been titled Mexican Amazons, since it documents Mexican women who take up this noble sport, and who ride their horses sidesaddle. From what I gathered from the slideshow, the escaramuzas was an accidental tradition that started in 1953, and was influenced by the gypsies of Spain.

Leslie Mazoch is a photographer and photo editor for the Associated Press in Mexico for Latin America and the Caribbean.

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On this Black Friday, my new photo book Bali: Island of Gods is still available from Blurb.

You can choose between two main versions of the book (82 pages of black & white photographs): one is a large (13×11 inches) landscape hardcover version and the other is a standard (10×8 inches) landscape version.

More details are available on a page of my website Island of Gods. The link will also take you to my bookstore on Blurb, which has previews of the book.

Forget the long lines at the check-outs…just do it online. )

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To my delight, the main singer belts outs out the famous Mexican song “Volver Volver“, initially without the accompaniment of musical instruments. I used to hear it played often in the zocalo of Oaxaca…just delightful.

According to Wikipedia, the term “Mariachi” is said to be an adaptation of the French word for marriage or wedding “mariage” as this type of musical formation plays at these events.

via The Click

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I’m chuffed (as the Brits say) that SoundSlides is now available in Beta with the option to produce the audio slideshow so that it’s iPad compatible. In fact, version 1.9.4 has a couple of options related to the iPad. The first option is to have the slideshow only readable on iPads, whilst another is an iPad-auto-detect.

I’ve tried the auto detect option on three audio-slideshows, and they worked pretty well. However, I haven’t been able to remove the Captions and Credits buttons (which I don’t want) from showing up on the iPad, and I understand that this will be fixed in a future version.

The other issue which I don’t think is fixable relates to transitions. The transitions look somehwhat choppy on the iPad…presumably due to its processor and browser. One of my audio slideshows makes use of the “flip-book” technique which relies on a large number of stills with very short time intervals to give the appearance of motion, and this feature doesn’t show well on the iPad at all. It just shows the first and last frame.

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Minas Karatzoglou claims that his likeness was used without his permission by Lindahl’s Dairy of Jonkoping in southern Sweden, and has commenced legal action against the company for compensation for the amount of $9 million.

On a prima facie basis, this appears to be a simple matter of some photographer not having the requisite model release…however there’s more to that than meets the eye, because Karatzoglou is an ardent Greek nationalist who harbors deep-seated rancor against Turkey for its occupation of Greece. His grandfather and great grandfather took part in the War of Independence, which began in 1821, which ended centuries of Ottoman rule, and led to the formation of the modern Hellenic state.

In fact, Karatzoglou wears a panoply of 19th Century flintlock pistols and a curved dagger, which he claims have killed Turks.

The Swedish company claims that it bought the photograph of the mustachioed Karatzoglou from a Spanish photo agency, and that it has all the appropriate rights it needs to use this picture commercially.

I wouldn’t like to be in the photographer’s (or the head of the yogurt manufacturer’s) shoes if he had to travel to Greece. These flintlock pistols seem to be in good working order.

I’ve posted my thoughts and recommendations on model releases in a 2008 post titled POV: Model Releases.

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The beta version of VII The Magazine is presented in the Herald Scotland newspaper, and in Lens Culture.

The first issue of the magazine features multimedia slideshows of projects by several VII photographers, as well as interviews with Jessica Dimmock and Ashley Gilbertson about their projects featured on the site.

I was particularly interested in Ashley Gilbertson’s interview, and struck by one of his statements:

“If you show me one more picture of a soldier kicking in a door, I’m going to blow my head off.”

I sense Ashley speaks for, not only war photographers, but for many of the sentient public who’s been subjected to repetitive and unimaginative visual (and intellectual) presentations of the wars in Iraq and Afghanistan, and who’s had (if they’re anything like me) enough of the same stereotypical coverage which passes for cutting edge reporting in our media. I call it the stagnation of war photography…the same scenes over and over, perhaps from different angles…and with no back story. In fact, if I didn’t read the captions beneath these images, I wouldn’t be able to tell if it was in Iraq or in Afghanistan…or whether they’d been made yesterday or a year ago. Stagnation.

Ashley’s powerful and poignant photo essay The Shrine Down The Hall, which shows some of the empty bedrooms of the over 5000 U.S. military personnel killed in the wars of Iraq and Afghanistan, rammed home the horrors of war much more effectively than seeing (and hearing) yet another photo essay by a gung-ho war photographer following US soldiers in an Afghani village, rounding up “Taliban” members (or whatever the caption writer decides they are), covering their heads with potato sacks while pointing guns at terrified women.

We need to see more work like Ashley Gilbertson’s and much less of the kicking of Afghan or Iraqi doors….please.

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Here’s another post on Matjaž Krivic’s work. This time, it’s Mali that he shares with us in this lovely audio-slideshow-movie (he calls it multivision…not a bad name.).

Matjaž just returned from an overland road trip from Slovenia to Nepal via Senegal (Dakar to Katmandu), which took him 13 months of living and photographing out of a 4×4 Nissan Patrol.

For 20 years, he globe-trotted the world capturing the personality and grandeur of indigenous people and places, and found the time to be awarded many prizes, and recognized in various venues and exhibitions. He traveled in Yemen, Mali, Tibet, North and West Africa, Iran, Mongolia, China, Nepal and India.

The spectacular music accompanying the slideshow is Dunya Salam (“world of peace“) by the legendary Senegalese singer Baaba Maal. An excellent choice!

So choose full screen, turn up the volume of your speakers and enjoy the show!

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Our days in Bali have been long, with back to back photo shoots at temples ceremonies. The best are those which are small and intimate and held by families, rather than communities where rules, more likely, prevali.

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